Showing posts with label Pen Writers Festival. Show all posts
Showing posts with label Pen Writers Festival. Show all posts

Wednesday, June 4, 2008

Visiting the Cloisters in New York


When the weather was fine, I loved walking New York’s cross-town, uptown, and downtown
streets getting from one Pen Festival event to another. But when the weather was lousy, I learned to ride the subway: to read a subway map, to decipher what routes to take, to buy a pass, find the right platforms and transfer to another train.

I also learned that subway riders still yield their seats to the aged and infirm because they always stood so I could sit (not that I consider myself either aged or infirm). Sitting on a wildly swaying subway car that jars to stops and lurches to starts has a distinct advantage to standing, even when supported by a wall of standing riders like oneself.

On Sunday, May 4, the day I was to fly home, I decided to ride the subway uptown to 190th Street to visit The Cloisters in Fort Tyron Park.

To get to the Cloisters, I needed to take the E train to Grand Central Station, then transfer to the A train to 190th Street. I didn’t know that on weekends the A train doesn’t run to 190th Street, that one has to exit at 168th Street where a shuttle bus would complete the rest of the trip. What I also didn’t know was that there were two shuttles, one going to the 190th Overlook Terrace station within the park, and another that went elsewhere. Guess what one I got on?

When I asked for directions to The Cloisters, my bus driver was perplexed. “I’m going to the Cloisters too,” the pretty teenager behind me added. "I'm supposed to meet my class there. I took the train in from Long Island."

By that time we’d already passed 190th Street (no bus stop there!). The bus driver pulled to a stop and told us to head "that way." He waved his hand vaguely toward the west, so we walked back to 190th and headed west, finding ourselves in a residential neighborhood at the base of a cliff. I told the teen that I knew the cloisters "overlooked the Hudson, so they must be up there." I pointed upward.

"They are? Why are there no signs?" she said. She obviously didn't trust my information. She was worried. She was already 40 minutes late. What if her class had already left?

How did I know why there were no signs? I was as stymied as she was. I don't think my "It's got to be around here somewhere," reassured her.

"Are the cloisters around here?" I asked two young women pushing baby strollers.

They didn't know but told us there was a park "up that way." Anna, the teenager and I turned in the direction of "the park," and eventually we found a stairway leading up.

Still no signs. We climbed a mile or more of stairs. We encountered a lady walking a dog. She told us we were heading in the right direction. "I better take you there," she said. "Too many paths that might confuse you."

Anna and I sighed with relief. We'd made it. I lost sight of her there as she hurried off to find her class. There were several classes touring the site, but though I looked for her among them as I walked through the museum, she never reappeared.

I lived in New Jersey for years before moving to Minnesota 30 years ago but had never visited the cloisters which were built in 1938 to house art works from the Middle Ages within a structure replicating their original functions: cloisters, chapels, great rooms , gardens. Original stone portals, asps, cloister pillars, and courtyards and astounding sculptures, windows, tapestries, paintings, and manuscripts. My journey through this work of art was one of prayer, awe, wonder, and peace.

Tuesday, May 20, 2008

New York: Pen Festival: Day One


On April 30, I arrive in New York for The Pen Festival of World Literature. A plethora of events awaits me . . . all of them in different locations. I don't know New York. I have work ahead of me. Agenda number one: find my way around the city. Assignment: get acquainted with the streets. Best method: walk

I walk from the Marriott East Side (525 Lexington and 49th)cross town to 6th Avenue and down to 42nd Street to find Town Hall, where I will attend Public Lives/Private Lives for an event featuring Salman Rushdie, Michael Ondaatje, Annie Proulx, Ian McEvan that evening, where these famous world writers will “peel back the layers of their literary selves” to reveal from whence arise their creative voices.

I find Town Hall, then walk uptown on Fifth Avenue, to find the Instituto Cervantes where at 1 p.m. Latin American and Spanish authors will discuss “New Directions in Spanish Literature.”

I didn't realize I would be waylaid by the New York Public Library on 42nd St. It is 10 am and the doors of the library are just opening. Crowds of people line the stairway awaiting entry. The great stone lions keep watch. On the terrace people sit at iron-wrought tables under delicate trees, reading the papers and chatting. They sip coffee that they’ve brought with them. The plaza resembles a cafĂ© but there are no waiters.

A large placard in front of the stairs announces a “Sketches on Glass: Cliche-Verre” exhibition. I know I cannot pass by the opportunity to view etchings by Impressionist artists Corot, Daubigny, Rousseau, and Millet. I follow the crowds through the great doors, open my backpack for the guards, climb the central staircase to the third floor, and turn to the right.

The exhibit stuns me into quietude. I move from sketch to sketch slowly, trying to absorb the landscapes presented here … captured by a technique that combined printmaking and photography – what is essentially a hand-drawn or painted negative on glass. When I remember to check my watch, I am stunned to find I have only one-half hour to find my way to the Cervantes Institute for the lecture at 1 p.m.

Photo: Mailman in NY

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