Tuesday, March 19, 2013

John Caruso's Next Big Thing

Update: March 18, 2013. John Caruso's Next Big Thing Interview

What joy it gives me to feature writers whose work I admire as I promised last week, Do visit John Caruso's blog, and his Next Big Thing interview.

I tagged John for this blog-hopping as he is a brilliant writer and I'd like him to receive the exposure he so well deserves. John recently published his second book, Hard Magic, which I've just begun reading and find myself totally, inexorably engrossed in the magical, mysterious world he so vividly portrays. 

Monday, March 11, 2013

The Next Big Thing




Francesca on her final hike with me
Do you find the term “tagging” confusing? I do. Most often you've probably been “tagged” in a photo or a post, yet you fail to find yourself either in the photo or in the post. Thanks to my dear friend Christin Lore Weber, I've now experienced a form of “tagging” that does make sense. It’s called The Next Big Thing in which writers “lift up their Next Big Thing for the entire world to see . . . most often right in the midst of writing it.” So, thanks to Christin for tagging me. Please check out Christin’s Next Big Thing . Christin is a brilliant blogger and scintillating author whose work you will not to miss. 

In the next couple of days, I’ll post links to the Next Big Thing bloggers I've “tagged,” for this project.






What is your working title of your book? 
The title, besides the cover, is often the writer’s most important tool for drawing the interest of the reader. My current project has born several titles. The most recent comes from the creative mind of the woman who bestowed the title -- The Scent of God -- on my first book. She drew the title The Glass Chrysalis from a chapter in my current work which refers to Butterflies and the emergence of their offspring.

Where did the idea for the book come from? 
After my memoir The Scent of God was released, I was inundated with queries asking why I had stopped the book when I did. They asked for a sequel. Even more pressing was my desire to tell the story which burns in my heart and demands release. I've been working on the sequel ever since. “When can we buy it?” readers constantly ask. I have no answer. I’m still working on it.

What genre does your book fall under?
I don’t believe there is a defined genre for this work. I would call it a literary memoir in fictional form – in other words, a true story told as fiction. I assumed this format recently because I felt trapped within my own voice and vision. I needed to step outside myself in order to find the truth beneath the story. 

What is the one-sentence synopsis of your book? 
This is the story of a mother’s search to understand and forgive the choices she made that might have contributed to her daughter’s violent death; a mother’s effort to free her child as she could not do during life.

Will your book be self-published or represented by an agency? 
While my first book received national acclaim, it did not become the best-seller the publisher expected and has still not earned back the substantial advance royalty it was awarded. The current publishing environment is a difficult one for new and mid-level authors. As a result, many have turned to self-publishing as a friendlier and more financially lucrative option. I might eventually choose this route, though I will probably run this work by my agent first. 

How long did it take you to write the first draft of your manuscript?
I've been through so many drafts that I've lost count. As I only decided to take the book into fictional format within the past month, you could say I've just begun the first draft. This draft, however, feels more rewarding and exciting, so I think I’m on the right track.

What other books would you compare this story to within your genre?
The Lost Years: Surviving a Mother and Daughter’s Worst Nightmare by Kristina Wandzilak and Constance Curry
Come Back: A Mother and Daughter's Journey Through Hell and Back by Claire and Mia Fontaine. 
The Lost Child: A Mother’s Story by Julie Meyerson. 
My Daughter’s Addiction: A Thief in the Family – Hardwired for Heroinby Marie Minnich. 

Who or what inspired you to write this book?
I actually began writing this book many years ago in daily journals which became my most trusted confidants during the years of anguish and fear that followed my first husband’s death (where The Scent of God ended) and that leads to my daughter’s death and its aftermath.

What else about your book might pique the reader's interest?
Those who read The Scent of God will be the first to seize on this book. Parents of children suffering from depression and mental torment and those whose children are addicted to alcohol and drugs will find their stories in this work. The damage inflicted by those who disguise abuse as love, and the anguish and confusion that result from the sudden violent death of a child or loved one, add other engrossing dimensions to pique interest. It will conclude with the letters I wrote to my daughter after her death.

Sunday, October 14, 2012

Writing my way to healing


Our home overlooks Lake Superior where we are often treated to sights of large ore boats, fishing vessels, pleasure yachts and an occasional brave sailboat. I suppose it's only natural then that my life, all our lives for that matter, remind me of small boats riding the erratic currents of life. When things go well, we skim safely along the surface without encountering danger, but when things so wrong it feels like we've crashed into rocky cliff or submerge reef.  We make choices trying to maintain control over our small boats. Some of these choices are good, some not so good. Unlike the choices that result in tragedies at sea,  the choices we make seldom doom us to total shipwreck. Nevertheless, the choices we make often have an uncanny ability to surprise and wound us.
Our home has a great view of the lake with it ever changing moods: reflective, agitated, violent, soothing.  Our lake view also contains a monster rock that hides around 50 feet offshore. I've nicknamed it Nessie, after the Loch Ness monster, because it appeared suddenly one day as I sat watching the lake. I heard a gurgle, saw a wet black back emerge to shimmer briefly in the sunlight then watched it disappear again under the waves. The water level in the lake was then several inches higher than it is now. Nessie no longer hides under the lake’s surface. She can’t. The water levels are too low. She’s been exposed because of drought. Knowing she's there is good. Discovering her size daunting.
Like our often hidden monster rock, circumstances can so stress and disturb us that our spirits enter a drought of sorts. It was during such a period of drought that I overheard my children discuss that they thought they were damned. Why? Because their mother had been a nun and his father a priest. I was stunned.
Yes. Life had been hard since their father died when they were toddlers, but their conclusion devastating. Probing the why's of their theory, I realized that while they'd known about life "after  daddy," they knew nothing about "before daddy."  I wanted them to know about the love that brought Vittorio and me together, the love with which we’d greeted each of their arrivals. It was a complex story, one impossible to tell in a few sittings. And so I began to write what I thought was a love story and discovered that beneath my surface competence, I harbored the same doubts my children did. Was Vittorio's painful death from pancreatic cancer and the suffering that followed in its wake punishment for the choices we'd made?
As a teenager, I’d experienced God in such an overwhelming, unforgettable way – a love so consuming and unconditional – that I pursued it into a monastery thinking I’d be lifted to the heights of sanctity within that hallowed atmosphere. I was so wrong. Rather than saint in the making, I discovered the same compulsive/obsessive behavior that I’d condemned in my father. He was an alcoholic. I became an anorexic. I discovered that I could get as ragingly angry as my mother. That rather than disappearing into the cloister, I wanted to be noticed, to be special. What a shock that was. And when I was sent home to Puerto Rico to help my invalid father, rather than the devout and retiring nun everyone thought I was (including myself), I discovered I was sensual. That freedom intoxicated me. And that yes, I could fall in love.
It’s interesting how we learn to live with and to cope with ambiguity without really understanding or examining what is happening. When I was in Puerto Rico falling in love with Padre Vittorio I became two selves at war with one another. One wanted to stay faithful to my vows. The other wanted to be loved. To survive I called a truce. I would view our love as God’s gift. We would love one another utilizing all the proper channels. We sought dispensation from our vows, waited until the church accepted our request, then married. When our little girl almost died at birth and when Vittorio simultaneously began his death journey through pancreatic cancer, I buried the doubts that maybe we’d deceived ourselves. That maybe our love was not God’s gift.  And I’d kept those doubts buried until writing revealed them.
In writing a memoir, I'd had to dive under the surface waves of my story, and, in doing so, I discovered that the rocks I found there had transformed from hidden dangers to islands of refuge and rescue. I discovered that far from punishing us, God had been with us throughout our journey.  I encountered the goodness radiating from within my parent’s tormented lives, touched Vittorio’s anguish as he struggled to live for his children, and passed from my own loss to enter the children’s grief. The deeper I went, the more tears I shed, but eventually those tears cleared the murky waters in which I swam.  I discovered that by reconnecting with my past, I can move more honestly and bravely into the future, no matter what that future holds.
The late Thomas Merton, famed author and beloved spiritual guide, wrote that "When we live superficially, we are always outside ourselves, never quite ‘with’ ourselves, always divided and pulled in many directions … we find ourselves doing many things that we do not really want to do, saying things we do not really mean, needing things we do not really need, exhausting ourselves for what we secretly realize to be worthless and without meaning in our lives."
Thanks to writing, I continue the journey to an ever deeper awareness of who I really am. Writing opened a channel leading to my inner truth and I bless the gift it shares.


© Beryl Singleton Bissell 2012

Friday, August 17, 2012

Best Selling Book - Beryl Singleton Bissell


BEST SELLING BOOK

August 17, 2012
Never underestimate the power of an enthusiastic bookseller. Yesterday, I learned that The Scent of God had made the best-seller list at Parnassus Bookstore in Nashville, "all because Heidi, one of the women at the store is crazy for your book and makes everyone buy it." The note was signed by Ann Patchett, who opened Parnassus Bookstore with business partner Karen Hayes to fill a gap left when two bookstores closed. What a thrill, especially as some book distributors say they can't get copies to sell even when customers request the book.

Last week, I drove five hours to sign books at Sister Wolf Bookstores in Park Rapids. Sister Wolf is a popular independent known for it's exciting author and artist festival every summer that attracts people from all over. I'd had to cancel my appearance at that event due to a severe injury and was delighted when they requested I make a separate appearance when I was finally healed enough to commute a long distance. Again, enthusiastic booksellers directed patrons toward "the author in the store," making the signing, which can sometimes bomb (customers scurrying around the author and avoiding eye contact), a success.

I left Park Rapids later that afternoon and drove down to Little Falls, an hour and a half away for two events to be held the following day at Bookin'it Bookstore: a signing in the morning and an intimate three-course tea at the historic Waller House Inn later that afternoon. I spent a delightful morning in Bookin'it's cozy store and an exquisite afternoon with enthusiastic book-lovers at the tea.

Those three great happenings launched me back to my computer where the response to my latest newsletter generated several hundred wonderful responses waiting for my replies, and into the writing shed to pick up the abandoned sequel to The Scent of God for a fresh look prior to an extensive rewrite.

I hope your week has been equally generous with you even though the halcyon days of summer are growing perceptively shorter and there's a definite hint of fall in the air here on Lake Superior. 

Monday, August 6, 2012

Finding happiness midst disability - Beryl Singleton Bissell


FINDING HAPPINESS MIDST DISABILITY

June 27, 2012
Once I stopped fighting
And gave myself up to
limitation and pain
I realized how supremely happy I was
Just being here

On May 29, I slipped on a stairway and landed hard on my backside. First diagnosis revealed cracked open right and left sacroiliac joints. Three weeks later I wasn’t making the expected improvements despite the medication, ice packs and physical therapy, so the doctor ordered a CT scan. This diagnosis included, besides the sacroiliac joints, two hairline fractures in the sacrum itself.
For almost a month I’ve been hobbling around using a walker, frustrated out of my mind at the limitations this accident place on me. The smallest movements send spasms of pain throughout my legs, lower back and buttocks. I have been unable to go downstairs to my office or walk to my writing shed. I am confined to a home in one of the most beautiful places on earth but unable to get outside for even a short walk. Fixing a meal is all but impossible. Forget cleaning up. Six days ago I started to weep. My 13-year old granddaughter, whose been trying to help, put her arms around me and laid her head against mine. She’s been an angel and I could not manage on my own without her help but a 13-year old is not into noticing what needs to be done and I hate asking for help. Feeling sorry for myself sends my self-esteem plummeting. I don’t even feel like a writer. I’ve had to cancel book signings, a gathering of writing friends five hours from here, and a 10-day retreat. I haven’t even wanted to write.
But guess what? Today, while sitting on our deck, face turned to the sun, I realized what a good time I’ve really been having. I’ve discovered that by bending to the right rather than to the left I can pull on pants and tie my shoes. I’ve learned that placing my left foot flat on the ground as I step forward with my right alleviates the spasms caused by walking. That a really soft pillow cushions the pain of sitting down and a cup of afternoon tea provided by a precious teenager is simply delicious.
In giving myself up to healing, I’ve had time to read back issues of favorite magazines that have been amassing on a side table for close to a year; to make a perceptive dent in the heap of books I keep buying but never found time to read. I've watched the gold-finches and hummingbirds at our feeders and listened to the lake caress our ledge-rock. I’ve taught my granddaughter how to create hand-made cards with the flowers I dried for that purpose but never got around to. Sending her to report on the status of our river after weeks of pouring rain, revealed the poet hiding within her. Today I sat on the deck and gazed upward at the cloudless sky and realized how totally, thoroughly, happy I am.

from my Gather.com post of June 27, 2012

Friday, April 13, 2012

It is hard to breathe when asked to probe deeper. What if I don't understand? Unleash some monster? When all I need is the light already shining there, in the darkness.

Thursday, April 5, 2012

The View from Palm Beach Part 3: Cafe Cinematheque

While I've shared several of my favorite places to visit in the Palm Beach area, there is a favorite event taking place several times weekly that I absolutely love: Shelly Isaac's Cafe Cinematheque.

I've always enjoyed foreign language films, but Isaac's weekly selections and presentations at two local movie houses: The Movies of Lake Worth and The Movies of Delray, have so enriched my understanding of the depth and vision of this genre that I've become a foreign language film groupie. Even my husband has become a convert to what he used to think of as "women's films."

One of South Florida's best-known foreign-language film experts, Shelly introduces us to the film by sharing it's history, the director's vision in producing it, and whatever else he believes will enrich our viewing experience (brief sketches of the actors, awards, music, and the like.) After viewing the film, he encourages the audience to share their reactions and ask questions. Most everyone (and the theater is usually packed) stays for these lively discussions. During the past four months he's shown films from South Korea, Italy, Mongolia, France, Bosnia, Spain, Burkina Fasso, and Denmark, films mostly unknown in the US but that have won many prestigious international awards.

Send an E-mail to Shelly (cinematheque1@aol.com) asking to be added to his mailing list and he'll send  weekly updates on the films being shown that week.Several years ago, he launched Cinematheque At Sea, a film appreciation series on cruise ships. This September the 5th such program will take place aboard a Princess Line cruise to Alaska.

Taken by Surprise

I wasn’t sure I’d like Pulitzer Prize winning author David McCullough's Pioneers when I first began reading it. I'd expected a hist...